Descendents liveage zip

Suite 10 Items Various 78 Items Seal 54 Items Jewel 34 Items Mint Condition 11 Items Japan 9 Items 9. Accept 5 Items 5. K'Pop 5 Items 5. Album Items EP 7 Items 7. Single 6 Items 6. Not Specified Items English Items Irish 51 Items Japanese 8 Items 8. Spanish 2 Items 2.

Korean 1 Items 1. Record Label. Disney 70 Items Epitaph 41 Items SST 18 Items Fat Wreck Chords 15 Items Warner Music 9 Items 9. King Record 4 Items 4. Universe 4 Items 4. Alive Records 3 Items 3. New Items August - Sun, 7. August - Fri, We use cookies on our website. Some of them are essential for the operation of the site, while others help us to improve this site and the user experience tracking cookies.

You can decide for yourself whether you want to allow cookies or not. Please note that if you reject them, you may not be able to use all the functionalities of the site. Facebook Instagram Website. Please send your booking inquiries to: This email address is being protected from spambots. You need JavaScript enabled to view it.

I burnt out for a while there. When I get to a burn out, I give it time to set in, then try to learn new songs and styles. This usually helps get me back into a groove. What type of gear are you currently using?

One is or has been your favorite piece of gear? I play a Fender Blacktop Jazz bass. I think as a bassist, one of your goals is to try to find that tone that you hear in your head. Those two pieces were a huge stepping stone in the right direction. Both, and for different reasons. I love recording because you get the chance to put your best out into the world.

Finishing a record and putting it out into the world is a feeling that I absolutely love. Playing live is a different beast. To my core, I hope that we play songs that other people can latch onto and find a common bond with us in this world.

Regardless of what happened in their lives that week, I hope we can share 45 minutes together and each feel closer to each other through what we shared.

We get out all of our emotions when we play. Sometimes, we lose ourselves in it and end up laughing and smiling at each other through the whole show. I consider myself very lucky. If so, how does that process work? In a way. As of now, Nick brings us the skeletons of his songs and we all work together to hammer them into a DMG song. This consists of structuring, layering and backups.

Every song comes together differently. But we all have our ideas and we try every idea and see what fits the most seamlessly. My high school band in Wyoming was called Pledge Felix. When I moved here, I played in a long line of bands while trying to get a feel for which players matched my own style.

From there, Jeremy Hodson, Brad Blanco and I started Streets of Thieves and played throughout the midwest for a long stretch until I joined the army reserves and ended up in Iraq.

That was the nail in the coffin for that band. When I got back, I joined the White Girls on 6 string and we still play occasionally. Around , I was asked to play bass in Blacklist Royals out of Nashville while Brad was picked up to play guitar. After that we did a festival run in Europe that took us to Redding and Leeds as well as a handful smaller tours in the US. I eventually wanted more time at home with my wife, and left BLR.

And here we are. You and the drummer are the backbone. The worst thing in the world is to watch a boring rhythm section. Also, move around.